A long time ago, I put together a day to night illustration for my Philly Bridge project. Back then, I had a hard time deciding what kind of scene lighting to go with so I just did both and ended up creating a tutorial around how you could shift an image from daytime to night all in Photoshop. For the MIT project, I again was struggling to decide what time of day to go with so I decided to go with a “Day versus Night” series of images again. There were elements in the view such as the green courtyard that would have a better narrative with daytime light, but then elements such as the brass portal entry would have a more dramatic reading at night. It became clear that creating both a day and night illustration of the same view could be a powerful way of showing how these elements change and adapt with different lighting. 

This time around, I didn’t make the transition from day to night all in Photoshop as I did with the Philly Bridge images. I setup the model with completely different lighting for each image so that I could be a little more accurate with materials and reflections. It is also just a massive time saver rigging the model with lights rather than managing in Photoshop. Back when I created the Philly Bridge images, the materials I was using in 3D were less refined and my 3D lighting abilities were not as strong. Therefore it was quicker for me to actually make it all happen in Photoshop. Nowadays, I am relying on the 3D much more to get reflections and textures where I want which saves time and is more accurate.

3D

Sketchup Model (Daytime View)
V-Ray Base Rendering for the Daytime View
V-Ray Base Rendering for the Night View

As I mentioned above, I setup the 3D scenes for the daytime and night rendering with different light. Specifically, I used a different HDRI for each sky and I added in interior lighting for the night scene. I also dropped in some leaves on the ground for the daytime scene.

Brass Portal and Interiors

Brass Portal and Interior (Daytime)
Brass Portal and Interior (Night)

An important focal point for both images was the brass portal surrounding, so I punched up the color and adjusted the texture so that the brass had more of a presence in the image. I also added in the interior detail via Photoshop. I envision the portals at the end of the buildings to be a place to display art. The art also helps to draw out the diagonal stairs crossing the space.

Trees

Fall Trees Added In (Daytime)
Up-lit Trees Added In (Night)

Adding the trees in was a little tricky as they needed to look “similar” in each view but with totally different lighting. Originally, I was going to take the same tree and edit it for both views, but this ended up muddying the colors too much. I decided to do a little surgery and switched around the tree tops so that I could get different lighting on the leaves for each scene but maintain the same trunk forms. This allowed me to properly up-light the trees at night while still showing proper color in the fall.

Tinted Daytime Trees

To properly up-light trees at night, you first start with finding the right kind of cutout tree. I look for daytime lit trees that have a nice highlight both in the leaves and on the trunk. I then adjust the color so that the leaves are a little less green but have some warmth to them.

Darkened Trees

Next, I duplicate the trees and darken them almost to the point of being completely black. My night scene is pretty dark so this is fine. If the scene is a little brighter, I will leave a little texture, but really desaturate the tint the colors blue.

Light Trees Masked Over the Dark Trees

Finally, I carefully and slowly mask the light color trees on top of the dark color trees so that highlight is contained on the bottom side of the tree and around the trunk. I have used this method so much that I have built up a library of these manually made up-lit trees because they do such a good job of activating the ground plane.

People

People Added In (Daytime)
People Added In (Night)

For this type of eye level perspective in a campus environment, the entourage is really important. I wanted to play up the pedestrian street in the foreground so most of the the people are moving horizontally across the image. Conversely, most of the people in the courtyard on the left are standing or sitting in groups implying a place of gathering. I have been starting to use blurry cutout entourage more and more for the low light images because I really like the look and realism it adds to the images.

Final

Final Daytime
Final Night

To finish up the images, I increased the saturation for both views and adjusted the levels. I also added foreground trees to balance out the image compositionally and to be a little more accurate to the site design.

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